#75…considering the demon Beauty…

 

DCS_1629Reining a demon …

… Beauty … Beauty certainly isn’t a demon, is it …(or maybe – she)?

Is there a tethering grace to hold the pony’s desertion or revenge?

 

There is noise in bumping cans, tubes, brushes, bottles, razorblades dividing pleasure from depression (simple, just scrape off callused dried bumbles).  There is racket in traffic, robo-calls, bad media speakers, word questions for which there are no answers (impatience awaiting sober silence or skill?). There are memories, bits of love, clanging  mushy heady grey matter (or warm red embodiments), alarms beepbeepbeeping (is it commerce or just legality?).  There is loud partisan truth (for which there is no rebuttal).  All this, and obviously more, attend while roping a delusion …  the reining of Beauty.

And yet some, covered with dust and ashes, persevere. That is okay, and noticed, but please don’t burden the wrangler with your delusions.  It’s that day’s work, a tiny skirmish with an outrider of the sublime, a vengeful circus pony; and plenty for the painter’s day.

Beauty has within – a wildness – to birth awe, but beauty is not awe.  Beauty is tied to controlling acts of delusion, of a final ruling, maybe unity, even unalterable hushed simplicity; beheld, maybe, in joy.  And yet it changes, often degrades; entropy attending the stillbirth of awe.

Artistics possessors of technique and emotions, even greyed and ash covered ones, mostly lack that silent simplicity: and seek painting (circus ponies and more) for fun.  Now there is a delusion! Fun is less than joy, and that’s a fact.  The restraining lead tied to beauty is going to snap and lash through delusions, the stumbling, the wild skill-less drippings, the slashing; the meek even cowardly smoothing: hoping for that simplicity, a circus going solemn.  And yet, beauty is more than that and less than awe, and that’s a fact.

But shouldn’t fear reign in the confrontation with demons?

Can we be fools, funning with Beauty, restraint ruining the savage unleashing of joy: and still face (and even grasp) the descent of awe?

It is how the circus ponies get their revenge.

 

 

#69…it is June…and matrimonial thoughts…

IMG_0003 The little creek that runs near the tent is clean, convenient, free, and close. Some participants in the reunion of anarchistic emotives have apparently decided to get married or celebrate an anniversary of such.  The cake and the wine appear to sit somewhat unstable just now, don’t you think?

Matrimony (what this table seems to offer) is based on the future, it is a promise.  Sounds nice, but there are always issues from the past enclosed in little emotion bombs (quick to hand) and today’s occurrences of – now,  wherever “now” lands.

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The following is just conjecture.

“Now” might have been the first meeting, the first fifteen seconds; the dancing began, awkward probably, (an interruption on the way to mundane work?).  A bit of prancing about, hiding and showing, bending and bowing, looking and avoiding…afraid to fall?

 

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To that out-of-balance whirl, a dance if you will, unchoreographed bodily truth; something moved on.  Both dancers clutching lit anarchist’s bombs: ancient bits and pieces of pain; brought from, visited upon, invented by, bought and cared for – presumably defensive.

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Look at this, so soon after their meeting.

What do you think or, what do you  know: dropping his bomb would destroy his footing, even if both hands would be free to remove the mask…or dance better, closer.

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But, of course, the partner would have to give up her little bomb…and vanity.

 

 

But thankfully (at least apparently) all went on.

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Now meanwhile, out near the peaceful stream, some wine and a little cake await, why?…do you know?

 

 

 

#67…considering some aliens among us…

 

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Wow! the Temporary Museum of Enfant Terrible Culture has a show up in the gallery.  An ancient figurative sculpture exhibit. Everyone seems to be on good behavior, thoughtful and interested in bronze likenesses of “others”, and being served.

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A bit anachronistic (bronze is ancient) and mildly troublesome: someone is in the room not from our temporal identity group.  Troubling if someone has a sword or posturing an old exotic mystery-angst.  Troubling faces, masks are easily offensive.  Of course the figures may be troubled, headless or limbless, broken in ancient ceremonies or wars.  And troubling (depending upon the winds of doctrines) because they are not dressed at all, nudity.

It is possible to bump into them. Maybe sculpture should have an alarm sound incorporated, you know beep-beep-beep-beep incessantly calling attention to the bleeding obvious or providing auditory accentuation to momentary troubles.

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The alarm may also be applied to various issues between men and women (the putting on or off of the pedestal sort of thing) respect that may not be interpreted as respectful; antiquated chivalry.

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Some sculpture needs the alarm if it looks like – when then and there meets here and now.

 

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#64…considering manure and weeding…

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The emotives, artistics visionaries in outlook, have uncovered their agrarian roots.  While their tent world is airing, these balmy days call up the genius of gardening.  Spring opens all that will come; fruits, vegetables, viney growths, sprouting green goodies, the gentle haze of chartreuse over loamy soil ( a spread of lightly sanded microbial nursery and grave).  No bugs yet, just a few bees gathering in the ditches pollinating flowering weeds.

But surely the bugs will come, with associated fears and pain, and the delicate delights now coloring the roadside will spread happily among the rows of newly planted edibles.  The elbowing for sunlight, the spreading drinking roots, the happily (are plants happy?) gnarling fertilized stems will need removing. Killing (killing a happy plant?) from these purposeful rows, now neatly tilled valleys of ancient worm graves, will be required.DCS_1682

 

 

 

 

 

The circus, as mentioned, uses part of the tent for their menagerie, assuring a plentiful supply of manure to replenish the soil (though not likely to return it to the prelapsarian) but maybe allowing some dance of a sort: a grim pass between danger and delight, beast and grace, weed and fruit, stench and aroma.

 

Sometimes (maybe always) even the simplest places have layers, some meaning veiling some other meaning.  Myth upon measurable truth, nobility upon coarse brutality, angels (the good kind) upon fearsome savage, all contained in a few squares of a measurement; studied surface laid upon the unfathomable. Aromatic manure upon antique compost, all feeding weediness (and so the question – who will weed?)…and maybe…gain fruitfulness.

 

As spring moves souls and seeds this world of effusive artistics has a plethora of planters. But the garden holds sparse hopes for abundant fruitful harvesting, considering the happy weeds and the plentiful old and new manure,  and it being probably bereft of weeders.

 

 

 

Planters are cocky, forward, proud; the harvesters self-congratulatory:  but in between must be the weeders (when employable), hot, bug-bit, bent, ill-tempered; maybe also feeding a crotchety delight in killing.  Across the road crop farmers use chemicals, kind-of crotchetiness in a bottle.

 

But, for this artistic’s garden, the only hope is that a disciplined few will be weed editors.

 

 

 

 

#60…Considering urban legends and other doubts…

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Fooled in the twilight, a clanging…to look or…to replay convoluted stories …creatures, a chimerical plot, a misuse-able craft?  Confusion – a mechanical, persistent heart’s cognition, a dark dull force in pursuit- a raft of fear?

100_1433In the beginning, We had sweet and simple idea remember?  This was a place where the creative and natural could have a simple reunion: inviting neglected anarchists and enfant terribles from now and the ages, to a country picnic.  A rural simplicity joined, sharing art.  We refused proper names (except for Yorick) in the hope that all would feel included, even unmemorialized names.  We have appointed The Deciders, for simplicity, to service opportunities in this old circus tent become museum. Deciders are rendered as the spiritual hobby-horse head of their youth, a personae, avoiding issues of photo rights.

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The Decider (in-chief so called)

But alas, there is something foul afloat  (some unspittable taste of fear) because of one of the Deciders: who chooses to be called ” -In-Chief”.

But also a rising has expanded; a resistance has formed (quite sensibly) among emotives, including anarchists.

 

Bartered superstitions lurk, even on the prairie. A conjured ambassador from the city, night prowler (maybe urban myth), a legend about windows to be pried, and bolted doors blankly covering what should be opened. Among misfit children, the myth is a hero (he sticks his tongue out?).

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KnightRider of the PryBar

 

 

 

 

An invented name, The KnightRider. Schooled in emotive bombs, the children regale in the KnightRider, hoping for some excitement among the resisters.

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Yorick watching (chronically frayed) afraid of lukewarm immortals, counsels the child…

“You are to small for the bomb, and the bomb is to meek for the problem.”

The legend, the conjured Prybar, gains fame in a circuitous polarized distemper between town and the rural colony of anarchists.

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Searching for that which needs, and can be…pried open.